Witches, Druids and King Arthur
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Witches, Druids and King Arthur


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Witches, Druids and King Arthur
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Witches, Druids and King Arthur

by Ronald Hutton
Product Group: Book
Publisher: Hambledon & London (2003-12-19)
ISBN: 1852853972
EAN: 9781852853976
Dewey Decimal #: 299.94
Hardcover: 320 pages
SKU: 080618017
Condition: New
Comments: 1852853972 New, never read, may have minor wear on cover. New, never read, may have minor wear on cover.


Editorial Reviews


Product Description
In this book, Ronald Hutton brings his wealth of unusual knowledge on Paganism, myth, and ritual to the reader. Hutton is known for having a deep and sympathetic understanding of past and present beliefs that are often dismissed, and an ability to write lucidly and wittily. Witches, Druids, and King Arthur has a unique and accessible flavor and covers elegantly and entertainingly a wide range of beliefs, myths and practices and their place in history.


Customer Reviews


essential
Rating (5)
Date: 2008-02-07


I don't have the time for a detailed review, but Hutton is simply brilliant. He's a bit of a Columbo detective and never stops digging to get as close to the truth as possible. Eventually he does have to admit that sometimes we cannot proclaim the truth despite what particular historical adherents wish. In a nutshell, for anyone wanting a richer understanding of the historical evidence of this subject, this book with its marvellous research is essential. For the most part, it is accessible to non-academic readers as well! Bravo!


Another great book from an honored scholar
Rating (4)
Date: 2007-09-04

1 out of 1 customers found this reveiw helpful


This book is another compelling, if challenging entry from honored pagan scholar Ronald Hutton. Professor Hutton has brought us previous scholar tomes including The Triumph of the Moon, a history of modern paganisem in Britain, and the historical survey, The Pagan Religions of the British Isles, and Stations of the Sun, a history of the ritual year in Britain.

As anyone who have read Hutton before will know the Professor's published work aims for the general reading audience, though without doubt an educated one. However, the challenges of reading Hutton are worth it, and it is no less so than in this reviewed work.

The books only flaw, in my opinion, is the fact that this is not a continous work at all, but a collection of essays that the writer feels are related to each other. This is most true, though a couple, essays on ritual nudity and on the pagan elements in the writings of C.S. Lewis and J.R.R. Tolkein, are interesting though they don't seem to fit within the general theme indicated by the title. The rest of the fascinating essays cover: How Myths are Made, Arthur and the Academics, Glastonbury: Alternative Histories, and histories of medieval and modern paganism.

In the end, this is a book not to be missed. The discussion is lively and the information is profound. I heartily recommend this book.


Irrelevant twaddle presented as scholarship.
Rating (3)
Date: 2006-09-01

3 out of 17 customers found this reveiw helpful


This volume of Hutton's scholarship on pagan topics appears to be a collection of essays that were written over several years and have been assembled into a book format with little or no thought to common ground. Hutton displays his very pronounced literary centric view of history, anything that wasn't written, or the writing didn't survive, didn't happen. For example, in the chapter on "Paganism in the lost centuries, Hutton goes on and on about some irrelevant Middle Eastern city which may or may not have sheltered pagans among other religions. While that might be of interest to some Middle Eastern medievalist scholars, it has absolutely nothing to do with the history of western paganism. In his "Modest look at Ritual Nudity," Hutton accurately points out that Wicca is very unique in its use of nudity, and astutely understands that Wiccan nudity helps to separate the serious religious seeker from the casual wannabe. However, Hutton goes on and on with more irrelevant twaddle about ancient Greek art and Roman nudity. Overall it displays what Hutton admits to be his "religion," scholarship based on writing as the sacred. It is perhaps a good book for those who share Hutton's "religious" views about the sacredness of the written word, and the corresponding lack value of anything not written. I rate it a 3 because he has some interesting things to say, but seems to lack real understanding of his topic.


Hit and Myth
Rating (4)
Date: 2004-01-15

51 out of 62 customers found this reveiw helpful


Collections of essays by major historians can be a mixed bag. Ronald Hutton's new collection is one of the better ones. This is a collection of nine essays where Hutton tries to shed light on the murky world of magic and myth. The book begins with an essay on how myths were made, and then follows with two essays on King Arthur and Glastonbury. The next two essays deal with the problem of modern paganism and its connection to ancient paganism. The first deals with ancient paganism and the second deals with its convoluted path to the present day. Then we have a chapter on the existence of ritual nudity, one on Christianity in C.S. Lewis and J.R.R. Tolkien, one on modern druids and a final chapter on Hutton's experience writing his previous book on modern witchcraft.

What is the result of this interesting concoction? Let's start off with some problems. The essay on druidism is somewhat dry and is largely about complicated internal squabbles among modern druids. The opening chapter starts off by pointing out how modern Celtic nationalism is based on myths. We learn about the story (first told by Hugh Trevor-Roper, to whom the book is dedicated) of how the kilt was not the ancestral uniform of the Highlanders but was designed by an English businessman in Scotland in the 1700s who wanted more convenient clothing. Much of the origins of Welsh and Cornish nationalism come from romantic English sympathizers. But the discussion of Irish nationalism is disappointing. Who, after all, is Hutton trying to refute in pointing out that many nationalists have English, Norman and Protestant origins? Everyone in Ireland knows that Wolfe Tone and Parnell were Protestants. It is Unionism, not Republicanism, that defines Irish nationalism as no more than a whining Catholic sectarianism. And Hutton's deflation of the "myth" of Drogheda, based mostly on one contentious recent monograph, ignores the hundreds of thousands who died in the course of Cromwell's supression of the Irish rebellion. Finally there is a certain undue sympathy towards the mystics and magicians he is covering. In his deflation of the remarkable claims about Glastonbury Abbey, that Arthur's bones are buried there and that it is where Joseph of Arimathea came to England, he goes out of his way to suggest that they could conceivably be true. At one point he refers to modern paganism as an "entirely valid religion" that, notwithstanding its claims to the contrary, dates no earlier than the first decades of the twentieth century. That is all very liberal and tolerant, but one wonders what an "invalid religion" would be like.

Having said that however, much of the rest of the book is interesting and useful. To turn back to the opening chapters on myths, not only do we learn of the origins of the quite false statistic that nine million people were killed in the witch trials, we also learn of the limits of oral history. Contrary to what many people have thought, oral traditions become dramatically less accurate after a century or so. Hutton goes on to describe how he tried to use oral traditions to supplement his earlier histories of the English civil war and was maddeningly unsuccessful. Sir Henry Ireton supposedly defends the honor of a daughter he did not have, Oliver Cromwell dies a non-existent violent death, Charles II's fate is confused with his father's, major events go by with some areas completely forgetting them, while others "remember" non-existent romantic trivia. Meanwhile the Cornish, who in the 16th century rebelled against the rise of Protestantism, now remember themselves as Protestant heroes. We also learn the most recent research on King Arthur. The earliest reference to him comes in the early ninth century. In the seventies there was a surge of archaeological research which supposedly proved Arthur's existence. Hutton shows that it proved nothing of the sort, but is cautious about the idea that Arthur never existed. We also learn how Tolkein's and Lewis' fantasies deviate from Christianity. In the two chapters on late paganism we learn about the traditions of late paganism and how they were transferred to the modern day. There is much talk about neoplatonism and the mysterious Sabians and the Arabian city of Harran, but Hutton is clear in showing that there was no direct continuous tradition from either source. When some of this neoplatonism surfaced in the twelfth and fifteenth centuries, they were mostly used by intellectuals who wished to use classical insights to strengthen Christianity. Hutton reminds us that the old distinction between religion (supplication to a God) and magic (invoking divine power for one's own ends) is still possible and still alive. Although modern pagans use ideas from neoplatonic and Egyptian magic, Hutton notes the contrast between modern optimism and late classical pessimism, the abstinence of the past with the sexuality of today, as well as the modern Pagan appeal to the people and the strictly minority and mysterious nature of the late paganism they invoke. There are many strange areas of the past that have been ignored by historians and are now dangerously infested with cranks. Ronald Hutton is a fine guide to these obscure areas.


bloody brilliant as ever
Rating (5)
Date: 2004-01-08

20 out of 23 customers found this reveiw helpful


This is another excellent book from Ronald Hutton. On first reading the chief delight for me is Prof. Hutton's marvellously wry and gentle style, with its keen eye for absurdities and inconsistencies in documents and the historical record, but always extending a delicious good grace to those whom he treats. Every essay in here is fascinating, moving nimbly between literary reception of texts, anthropology, historiography and sociology.
Its pages are rich with insisght and the fruits of learning, which makes for interesting reading in itself, but the pleasure is doubled by Hutton's wonderfully present and human yet always couteous prose style. Very highly recommended indeed.

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